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A cobalt-blue bird in extreme close-up — one bright blue eye, a spiky crest, and a sweeping golden-yellow beak against soft gray. This original 10×20 acrylic is the most striking crop in the flock. One of a kind.
Barnaby Blue is cropped so close that half his face runs right off the edge of the canvas. One clear blue eye looks sideways at you, a spiky crest of feathers stands straight up, and a long golden-yellow beak sweeps down and curls at the tip. The mottled silver-gray background keeps all the attention on that blue.
Painted by hand in acrylic, this is the most portrait-like piece in my bird series — less cartoon, more character study. The brushwork in the feathers is loose and directional, so up close you can see exactly how he was built.
That tall, narrow 10 × 20 canvas is made for the awkward walls: beside a door, between windows, in an entry, or climbing a stairwell. He also makes a striking pair hung next to another bird from the flock, beak to beak.
Want more photos before Barnaby comes home? Just send me a message.
Every bird in this series traces back to my grandfather, Dave Coleman — a Seattle jazz drummer who painted birds his whole life. Read the story →
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